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INTRO (JINGLE):  AMERICAN TOP 40

CASEY KASEM (IMPRESSION): You’re listening to AT 40, coming to you from Hollywood.

Now we’re up to our request and dedication, and it comes from a 53-year old man in Brooklyn, New York, who hosts a podcast named WRESTLING WITH HEELS ON.

The podcast is about the classic bad guy wrestling stars of yesteryear, but his letter is about the unsung heroes of the squared circle that hardly ever get their due: the jobbers. Here’s what he wrote:

Dear Casey:

When I wasn’t watching cartoons like Scooby-Dooand Plastic Man, I spent my Saturday mornings watching WWF All-Star Wrestling, an hour-long TV show made up of wrestling superstars defeating jobbers.

Jobbers were wrestlers at the bottom of the professional wrestling pecking order, always losing to top-tier and mid-card talent. Of course, I didn’t know that back then. As a kid, I thought everybody had the same opportunity to claw his or her way to the championship. Then again, I also didn’t know wrestling was scripted.

If I knew then what I know now, I would have appreciated the special part the jobbers played in the wrestling hierarchy. By losing their matches week after week, the jobbers jump-started the careers of up-and-coming wrestlers and new arrivals to the WWF territory. Every loss was a way to sell their opponents’ greatness to the fans. Every loss got their opponent that much closer to success.

This past Labor Day I thought about the sacrifices the jobbers made in the ring. Not only were they purposely losing week after week, but also sometimes they faced humiliation in and outside the ring.

Poor Frankie Williams, a journeyman WWF wrestler turned jobber, was ridiculed and pummeled by “Rowdy” Roddy Piper during a Piper’s Pit segment simply because he regularly lost his matches. The segment was cruel and unfair. Williams had a Spanish accent and Piper made fun of him for it.

Then there were the jobbers who were paid to let a python slither over them whenever they fought Jake “The Snake” Roberts, and those who let Brutus “The Barber” Beefcake cut their hair. Sometimes the humiliations were things they didn’t get paid for, like taking cheap shots from abusive big name wrestlers bent on proving something to the help, just because they were bigger and stronger.    

To suffer all manner of indignities and lose every week, the jobber earned a measly $250 per match. Every job comes with its share of indignities but none so public as a televised professional wrestling match.

Casey, I sometimes wonder if the children of jobbers were embarrassed by the work their fathers did. Did they catch heat from their wrestling fan friends every time a bigger opponent squashed their dad?  Did they avoid watching wrestling altogether? Or did they just see it as dad’s part-time job, and nothing else?

I’ll never know the answer to that, but I always preferred knowing my dad was safer working in a factory that produced chemicals for screen-printing than he was squaring off against Sergeant Slaughter or Bruiser Brody.

A Lot Has Changed

A lot has changed since I was a kid. First, the term jobber has been replaced with the term enhancement talent. Just like the term janitor, jobber has a negative connotation that implies the worker is lowly paid and unskilled. Second, it is no longer so easy to tell the difference between the big names and the nobodies.

In the ring today, the enhancement talent are just as glitzy as their superstar opponents. When I was a kid, jobbers often looked like they were picked off a street corner, issued a pair of tights and thrown in the ring for the same amount of money they’d get donating blood.   

And lastly, the one-sided matches of the type that were once commonplace in the 70’s and 80’s have given way to more competitive matches between big names and enhancement talent. That means today’s talent enhancement have a lot more opportunities to showcase their talents.

Casey, we can’t all be artists. Someone has to do the dirty work. In pro-wrestling, that job belongs to the enhancement talent. It’s the kind of work we all do at some point in our lives: building up others for the overall good of the company. In that way, we’ve all been where the jobber’s been.

And for that reason, I’d like to dedicate BRYCE OLIVER’S song LABOR of LOVE to all the people who work hard to make others look good, and never get the recognition they deserve. Guys like SALVATORE BELLOMO, FRANKIE WILLIAMS, JOHNNY RODZ, “Iron” MIKE SHARPE, and S.D. JONES.

Well, Ariel Gonzalez, host of the wrestling podcast WRESTLING WITH HEELS ON, here’s your request.

"Labor of Love" Lyrics

Lyrics: Ariel Gonzalez 

Sung by: Ariel Gonzalez

Music: Instrumental version of Leonard Cohen’s “EVERYBODY KNOWS” found on the website LOOPERMAN. 

Used for parody purposes as done on comedy and variety shows

1stVerse:

I’m the King of the Losers: they call me Butternut Squash. 

Cause there ain’t a match-up, I can’t turn into a loss. 

They call me entertainment: red meat for the cavemen. And I lay down and stay down for all the better men. 

2nd Verse: 

You’re bringing the action; I’m selling the pain. Putting butts in the seats is the name of the game. 

I’m getting you over, building you up. Go on and getcha ya smash on and Squash this Buttercup. 

Depravity works, gravity hurts and it all hits the pavement. I told you: THAT’S ENTERTAINMENT. 

3rd Verse:

Sally Bellomo has the upper hand

 Flying head scissors and a Pizza Splash

The crowd thinks this just might be the match Salvatore finally wins. And that’s when the losing begins. That’s what the jobbers do. The Labor of Love.  

Bridge: 

Give the heels a hard time, Mister S.D. Jones. 

He starts to steal the limelight then they drive him home. 

The crowd feels bad for the utter waste of this mid-card baby face. He should win he deserves it but why haven’t they all learned yet. That’s what the jobbers do for Love. The Labor of Love. 

Give the heels a hard time, Mister S.D. Jones. 

He starts to steal the limelight then they drive him home. 

4th Verse:

Look at Joe Champ push back at the Snake

He doesn’t care about this mistake. Even the fans know you don’t try to one-up an icon. Or you might be on the receiving end of a python. That’s what the jobbers do when they step on the other guys shoes. The Labor of Love. 

Give the heels a hard time…steal the limelight…For the..Labor of Love

You’ve been listening to WRESTLING WITH HEELS ON. See you in two weeks, maybe…when we’ll take another stroll down VILLAINY LANE, only on the SPORTS HISTORY NETWORK.

Hi everyone.  My name is Ariel Gonzalez, originally from Brooklyn, now living in the Garden State and I have a new podcast called “Wrestling With Heels On.”

On the podcast, I get to reminisce about my favorite wrestling bad guys from yesteryear.  Light on stats and heavy on nostalgia, this little trip down villainy lane gives me a chance to visit the dark corridors of my wrestling soul, and it’s also fun to have a podcast.

Wresting With Heels On podcast hosted by Ariel Gonzalez artwork (presented by Sports History Network)
Photo Credit: Sports History Network
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